Plays during the shot of the inside of the entrance gate. Shortened this second part to include the ending before.Ġ0:22:20: 'Interior orion' (1) Leading into.Ġ0:23:33: 'Space Station Docking'* (1). Edited out the middle part and left a silence before the start of the last part (synced with the first kill being committed).Ġ0:20:32: 'Space Station (Take 4 - Partial)'* (4) Snippet from beginning of track, leading into.Ġ0:20:44: 'Space Station Docking'* (1) Edited out a fragment of the first part so that the second part (featuring the waltz) starts when the Space Station comes into view. This is to be the Monolith-theme.Ġ0:15:54: 'Main Title' (1) Reprise (in the same way edited as on 03:32).Ġ0:17:41: 'Eat Meat and The Kill'* (1). The 'Mirage' section of this track (repeated) seemed a good choice, it also features a choir that evokes a strange and wondrous atmosphere. The middle section was cut out.Ġ0:12:34: 'Commission's Reaction - Telemond's Death'* (2) A short snippet of this track serves as a mysterious interlude, leading into.Ġ0:12:51 - 15:40: 'Queen Mother'* (3) Kubrick told North that he wanted to retain his Ligeti temp-track for the monolith, therefore North never composed music for it. This is the toned-down version of 'The Dawn of Man'-track.Ġ0:09:03: 'The Bluff'* (1). Parts of both the audio and video had to be edited (changing speeds of some parts) to sync the appearance of the titles with the beats of the music.Ġ0:05:20: 'The Foraging' (1). To fit the length of the overture, I had to cut out the middle part.Ġ0:03:32: 'Main Title' (1). Both Kubrick and North agreed that it was a bit over the top, so North composed a new version later on. It seemed however an excellent opportunity to make North's original take on the Dawn of Man sequence heard. Using the North-music I selected for that sequence didn't feel appropriate for the overture. AMONG THEM, TRACKS FEATURING THEMES ORIGINALLY WRITTEN FOR "2001".'Ġ0:00:40: ‘The Dawn of Man'* (1) In the original movie, Kubrick used music for the overture he would also use later on for the Stargate sequence. FOR THE SCENES NORTH DIDN'T GET A CHANCE TO WRITE MUSIC FOR, SEVERAL CUES FROM HIS BACK CATALOGUE WERE USED.
THIS ALTERNATE VERSION OF "2001: A SPACE ODYSSEY" REUNITES NORTH'S ORIGINAL MUSIC WITH KUBRICK'S MOVIE. NORTH RECORDED 40 MINUTES OF MUSIC FOR THE FIRST HALF OF THE FILM BEFORE HIS MUSIC WAS REJECTED BY DIRECTOR STANLEY KUBRICK IN FAVOR OF PRE-EXISTING CLASSICAL MUSIC.
Only the bits that weren't re-recorded by Goldsmith were used from the latter recording in this fan-edit.ĪDDED MUSIC TRACKS OVERVIEW: (see list of referenced albums below this overview)Īdded scroll text (white capitals on black background): 'IN 1967 VETERAN FILM-COMPOSER ALEX NORTH WAS COMMISSIONED TO COMPOSE MUSIC FOR AN UPCOMING SPACE-MOVIE. In most cases, this meant increasing the speed of the tracks (maintaining audio pitch). Matched the tempi of the tracks on the album 'Alex North's 2001', featuring re-recordings by Jerry Goldsmith, to those of the original (mono) recording sessions, conducted by Henri Brant and released on the album 'Music for 2001: A Space Odyssey - the original score by Alex North'. Removed all music (and redid sound effects if necessary)
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